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With the new year, I'll be adding several additional contemporary artists to the mix at Cullom Gallery. As I've mentioned here before, I am keen to show my audience, though my exhibits and general offerings, artistic links from the present back to the olden days of Japanese prints and from the old back to the present and everything in between.
In Eva's prints, I see an exciting buzz between traditions of composition found in ukiyo-e landscape prints (and as a client suggested last week, maybe Huan Dynasty landscape painting?) and Eva's own modern and minimal, sometimes stylized, approach to landscape.
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In 2001, she established the printmaking studio "drucktelle" with partner Miriam Zegrer (the studio has just recently closed) for the purpose of research into and teaching courses on printmaking techniques, with the aim of using non-toxic material as much as possible. Pietzcker continues teaching printmaking courses independently and at several art academies in Germany. Her prints have been shown in solo and group exhibits throughout Germany, the United States, Netherlands, France, Switzerland, Poland, Canada, Japan, and Indonesia. Most recently in 2008 she was part of the California Society of Printmaker's exhibit in Pacific Grove, CA, (she's been a member since 2006); and exhibited as a member of the artist group ' Nagasawa Ten' in the exhibit, "A Time and a Place" which traveled to both Amsterdam's Grafisch Atelier, and Deco Gallery, Tallinn, Estonia. In 2007, Pietzcker served as visiting artist at Open Studio, Toronto, Canada, and at The Print Studio, Hamilton Canada. In 2003 and 2004 Pietzcker was Artist-in-Residence at Nagasawa Art Park, Japan and Tsuna-Cho, Japan, respectively.
The show will be featured in a special online exhibit (by tomorrow afternoon) one the gallery's website at www.cullomgallery.com. The exhibit will continue on the gallery walls through March 30, but hopefully, Eva's prints will become a perennial offering at this gallery!
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