Hatchings Highlights

With just two weeks to go, I want to thank everyone for the great response we've had to the Hatchings series these past three months.  I have been pleased to have Rumi Koshino, Robert Hardgrave, and Brian Lane as guest curators for the run of these shows.  Their artistic vision has brought a new selection of art, artists, and their fans to the gallery, and has allowed me some valuable time with our new daughter, Summer, who was born at the end of March.  A big thanks to these three talented artist curators.

Below are a few highlights from the three shows.  And a reminder that Brian Lane's exhibit, Texture of Being, continues at Cullom Gallery through June 2nd.  Then it's back to work for me, and an exhibit of Eva Pietzcker's woodcuts of Washington State, opening June 7th.  

Gala Bent.  detail from Inverted Mountain 3. Graphite and pigment on paper.
Courtesy G. Gibson Gallery. From the exhibit, Open Interval, curated by Rumi Koshino,
on view at Cullom Gallery, March 1 - 31, 2012

Gala Bent.  detail from Inverted Mountain 4. Graphite and pigment on paper.
Courtesy G. Gibson Gallery. From the exhibit, Open Interval, curated by Rumi Koshino,
on view at Cullom Gallery, March 1 - 31, 2012.

D.W. Burnam. detail from Nathaniel's Incredulity. Ink on paper ; 8-1/4 x 9-1/2 in. 2012.From the exhibit, Open Interval, curated by Rumi Koshino, on view at Cullom Gallery, March 1 - 31, 2012

 

 

Garek Druss.  detail from Beyond Perfect Listening. Watercolor, pen, and graphite on paper. 6 x 4 in. 2012.From the exhibit, Open Interval, curated by Rumi Koshino, on view at Cullom Gallery, March 1 - 31, 2012

Peter Taylor. The Angler and the Little Fish, 2012. Graphite on paper. 17 x 14 in. From the exhibit, Refable: Graphic Works Inspired by Jacob Lawrence and His Renditions of Aesop’s Fables, curated by Robert Hardgrave, on view at Cullom Gallery, April 5 - 28, 2012.

Hibiki Miyazaki. The Donkey in Lion’s Skin, 2012. Mixed Media. 20  23-1/2 in. From the exhibit, Refable: Graphic Works Inspired by Jacob Lawrence and His Renditions of Aesop’s Fables, curated by Robert Hardgrave, on view at Cullom Gallery, April 5 - 28, 2012.

 

Robert Hardgrave. Amphibious, 2012. Ink on paper. 21-1/4 x 18-1/4 in. From the exhibit, Refable: Graphic Works Inspired by Jacob Lawrence and His Renditions of Aesop’s Fables, curated by Robert Hardgrave, on view at Cullom Gallery, April 5 - 28, 2012.

 

Matthew Dennison. Bundle of Sticks, 2012. Ink on paper. 10 x 12 in. From the exhibit, Refable: Graphic Works Inspired by Jacob Lawrence and His Renditions of Aesop’s Fables, curated by Robert Hardgrave, on view at Cullom Gallery, April 5 - 28, 2012.

Annie Bissett.  Sometimes I'm Married, 2010. From a series of 5 moku hanga woodcuts. 6 x 8 in. each.  From the exhibit, Texture of Being: Human Experience in Relief Prints, curated by Brian Lane, on view at Cullom Gallery, May 3 - June 2, 2012.

Michelle Martin.  Observation #25, 2007. Reductive linocut. 15 x 20 in. From the exhibit, Texture of Being: Human Experience in Relief Prints, curated by Brian Lane, on view at Cullom Gallery, May 3 - June 2, 2012.

Charles Spitzack. Self Portrait, 2009. Sosaku hanga woodcut. 12 x 9 in. From the exhibit, Texture of Being: Human Experience in Relief Prints, curated by Brian Lane, on view at Cullom Gallery, May 3 - June 2, 2012

Brett Anderson. Promethean Truth & Glamour, 2011. Reductive woodcut.  20 x 15 in. From the exhibit, Texture of Being: Human Experience in Relief Prints, curated by Brian Lane, on view at Cullom Gallery, May 3 - June 2, 2012